Scrivi la scena.Seedance 2.5 la filma.
Seedance 2.5 è il livello leggero ed economico della famiglia Seedance 2.0: inserisci testo e immagini, ottieni clip cinematografiche coerenti create con l’intelligenza artificiale. Fino a 1080p, a una frazione del prezzo di Seedance 2.0.
- Da testo e immagine a video
- Fino a 1080p
- Clip fino a 15s
- 16:9 · 9:16 · 1:1 · 4:3
Demo video ufficiale di Seedance 2.5
Guarda la demo di Seedance 2.5 con movimenti di camera cinematografici, cambi di scena coerenti e video IA ad alta fedeltà.
Girato interamente con Seedance 2.5
Ogni clip qui sotto è nata in Seedance 2.5 da una frase o da una singola immagine. Niente timeline, niente keyframe: solo un prompt.
Brownstone Cold Open
SEGMENT 1 of 10 of one continuous music video. @Image1 is the performer — preserve her exact identity everywhere: cornrow braids flowing into long dark curls, silver chain-drop earring, thin gold pendant necklace, glossy lips. @Image2 is WARDROBE REFERENCE ONLY (ignore the mannequin head): black cropped boxy blazer, leopard-print skinny tie over black bodysuit, dark-blue denim ruffled micro mini skirt, gold chains, black loafers. @Audio1 is the master track — the only audio; no invented music or vocals. COMPOSITION RULE — CRITICAL: NO centered symmetrical frames. Every shot composes her on a lateral third (left or right of frame), uses negative space, foreground occlusion (railings, doorframes, parked cars, shoulders), leading lines of the street, over-shoulder angles, off-axis dutch tilts. The lens finds her, she never poses dead-center. PRECISE LIPSYNC — TOP PRIORITY, face sharp on every word: 0.0–2.0 "All— in!" / 3.0–4.0 "Lights up." / 5.0–6.5 "Deep breath." / 7.5–8.5 "Teeth out." / 10.0–10.5 "Yeah." / 10.5–15.0 "I don't do peace talks, I just do results — name…" Instrumental gaps: closed mouth. FILM CONTEXT: Act I cold open, LOCATION A — brownstone block, early golden morning, long shadows, burgundy 90s sedan planted down the street (returns in finale). Her 3 girls (Black women, Y2K street glam: baby tee + baggy denim, velour tracksuit, cropped puffer, bamboo hoops) wait below the stoop. Black girlie hustle vibe. Shot flow: 0–2s "All in!": shot from BEHIND the iron stoop railing — she bursts out the door framed in the right third through the bars; CRASH ZOOM IN keeping her off-center. 3–4s "Lights up": over-the-shoulder of one girl below — her face lands on the upper-left third. 5–6.5s "Deep breath": profile close-up hugging the left edge, the empty street filling the right two-thirds as negative space, she straightens the leopard tie. 7.5–8.5s "Teeth out": reflection framing — her face caught in a parked car's side window, off-axis. 10s "Yeah": whip to a low dutch wide from across the street — stoop and crew on the right diagonal, brownstone lines leading to her. 10.5–15s verse: she descends and walks the sidewalk hugging the frame's left third, camera tracking laterally with parked cars strobing the foreground; crash-zoom punch on "results" landing her mouth on a third, never center. Continuity: gold pendant visible; same crew whole film. Audio intent: @Audio1 only; faint morning city. Quality bar: expensive NYC rap film, editorial off-center cinematography, no AI gloss.
Porcelain to Ink
【风格】好莱坞奇幻高定大片(Hollywood Haute Couture Fantasy)，8K超清，真实摄影(Photorealistic)，顶级时尚杂志摄影感(High-fashion Editorial Style)，虚幻引擎5流体渲染，视觉错觉。【时长】15秒【场景】一面一望无际的真实天空之镜盐湖。天空是极具压迫感的乌云，地面像镜子一样完美倒映着一切，画面呈现极简的冷色调。[00:00-00:05] 镜头1：高定登场与瓷器皮肤 机位：极低角度仰拍，超长焦镜头拉近。动作：一名拥有极具辨识度的高级脸亚洲女模，迈着清冷的台步走在水面上。特效：她身上穿的不是布料，而是一件由流动的真实青花瓷(Liquid Blue-and-White Porcelain)构成的长裙。随着她的步伐，裙摆像真实的陶瓷一样发出清脆的碰撞声，表面流光溢彩，青蓝色的传统花纹在白瓷质感的裙身上如同活物般游走。[00:05-00:10] 镜头2：物理碎裂与水墨降临 机位：面部微距特写，跟焦极速拉远。动作：女模突然停下脚步，冷冷地注视着镜头，打了一个清脆的响指。特效：响指打响的瞬间，她身上的青花瓷长裙全部炸裂成成千上万只极其逼真的水墨燕子(Photorealistic Ink-wash Swallows)。这些燕子带着真实的水滴和墨迹，在空气中拖拽出黑色的流体残影，疯狂地围绕着她旋转。[00:10-00:15] 镜头3：维度溶解与深渊倒影 机位：高空俯拍，镜头极速旋转下降。动作：水墨燕子群猛地扎入女模脚下的镜面湖水中。特效：原本坚硬的盐湖水面瞬间失去了表面张力，整个极其写实的真实世界开始像滴入清水中的浓墨一样剧烈晕染、溶解。真实的乌云和女模的身影全部化作极其宏大的3D流体水墨漩涡(3D Fluid Ink Vortex)，将镜头彻底吞噬进一个黑白交织的深渊。
Jungle Shapeshifter
Authentic live-action cinematic footage, professional dynamic tracking shot on real 35mm film with Arri Alexa 65, shot on location in dense tropical jungle island at golden hour. Natural sunlight and god rays only, real water and foliage. Subtle camera imperfections, authentic human motion, no CGI at all. Realistic athletic Amazonian shapeshifter woman, late 20s, strong indigenous features: high cheekbones, full lips, broad nose, deep warm bronze skin with visible pores and small scar. Long thick messy dark hair with natural texture and practical braids holding real feathers. Functional powerful build from real jungle life – strong shoulders, legs and core. Fierce intelligent eyes. Worn dark leather warrior attire with real dirt, wear and natural sweat on skin. 0-2.5s: [Dynamic Tracking - Approaching Waterfall Edge] She sprints at full speed along the top of a high jungle waterfall, powerful strides on the rocky edge, messy hair whipping. Camera tracks dynamically low and alongside, building speed as she nears the drop. 2.5-5s: [Vertigo Plunge Tracking] Reaching the edge she launches off the high waterfall in a powerful leap. The camera goes over with her, creating strong vertigo by plunging downward from great height, following her body falling through the air with real physics and wind. She plummets a long distance before massive impact. 5-8s: [Underwater Catfish Tracking] Instantly she transforms organically into a large, powerful and fierce river catfish (siluro). Camera follows as it surges forward at high speed through clear river water full of life — small schools of fish scatter, other river fish dart in the background, realistic ecosystem with natural particles. Body moving with strong muscular thrusts and heavy sinuous power, long barbels trailing. 8-10s: [Spectacular Breach] After three seconds the catfish bursts out in a powerful vertical breach, body arcing with genuine physics and heavy real water spray. 10-13s: [Zephyr Falcon Ascent] Mid-air she transforms organically into an incredibly fast zephyr falcon. Wings beat with explosive natural power as she rockets upward toward the misty central mountain peak with authentic flight dynamics. Dynamic camera tracks her real ascent. 13-15s: [Final Transformation & Serious Pose] Reaching the summit she transforms back organically into human form, landing with solid realistic weight. She steps forward and stops facing the camera, standing tall in a powerful grounded pose – shoulders square, intense serious expression, direct eye contact. She holds the serious pose steadily as the tracking shot settles and pushes in, capturing her real presence and gravity. Photorealistic real film capture, ultra-detailed authentic skin texture, perfect real-world physics during organic transformations, natural motion blur, cinematic film grading, heavy realistic grain, stable real performer across forms, no digital artifacts, authentic location movie quality, 100% practical footage feel.
Desert Colossus
Style: 8K photorealistic, anamorphic widescreen, gritty war-film grade, fine grain. Lighting: harsh high desert sun blown out behind dust haze, the creature backlit and rim-lit, soldiers and vehicles lit by hot bounce off pale sand, deep contrast. Color: bleached pale-gold sand and white sky, dusty-brown chitin, olive-drab and tan military gear, muzzle-flash and tracer-orange as the only saturated accent. Camera: anamorphic cine optics, horizontal flares off the sun, real motion blur, violent handheld energy. Skin: soldiers' faces pore-level real — sweat, grit, sunburn flush, dust caked in the creases. Acting: real combat fear and discipline — shouting orders, flinching, bracing into recoil, eyes wide at the thing above them. Physics: the spider has colossal mass — legs spear the ground and kick up debris, soldiers scatter with real inertia, sand bursts under impacts, casings and dust fly with gravity. Composition: the creature towers in the upper frame, soldiers small at ground level, depth from foreground troops to the hazed creature to white sky. Continuity: same giant spider, same pale desert and dust haze, same harsh backlit sun across all cuts. Technical: 24fps, ultra high detail, smooth heavy motion. Audio: diegetic only — automatic gunfire, shouted commands, a deep guttural shriek, sand-bursts, vehicle engines, concussive impacts. SCENE CONTEXT A US military squad in an open desert opens fire on a colossal spider-like creature; it advances through their lines, spearing the sand with its legs and scattering soldiers and vehicles. ACTIVE REFERENCES <<<image_1>>>: the creature and the location — an enormous spider-like beast, long thin spindly chitinous legs, hunched dark body and segmented fanged head, standing in a pale dust-hazed desert with a blown-out white sky behind it, sand and debris kicked into the air around its feet. 100% matches the reference. Stands as tall as eight humans stacked head to toe. LOCATION MAP Foreground: soldiers prone and crouched in tan-and-olive gear, a desert vehicle, sandbags. Midground: open sand churned with dust. Background: the towering backlit creature in the haze, white sky above. Camera works at ground level among the troops, sun and creature ahead. Movement runs toward the camera as the creature advances. FIRST FRAME / BLOCKING <<<image_1>>> creature mid-frame, towering and backlit, legs spread and spearing the sand, debris falling around its feet. Soldiers crouched and prone in the foreground, rifles raised toward it. FORMAT MODE Sequence of 6 cuts, no timecodes. Cuts only at the specified points, the camera does not cut on its own. OPTICS CUT 1 — EWS 84° hard wide. CUT 2 — MS 47° among the troops. CUT 3 — ECU 12° on a soldier's face. CUT 4 — WS 63° tracking a leg-strike. CUT 5 — CU 18° on the creature's head. CUT 6 — EWS 84° reverse wide. No drift mid-segment. CAMERA Low ground-level operator among the soldiers, violent handheld with 1–2cm tremor under fire, a hard whip-follow on the leg-strike, a slow ominous push on the creature's head, ending on a high wide pull as the line breaks. ACTION CUT 1 — the creature looms backlit in the dust haze, legs planted, the squad spread below it; muzzle-flashes ripple across the foreground as they open fire at the body. CUT 2 — soldiers crouch and fire, casings flying, one shouting and pointing, tracer-orange streaking up into the haze toward the dark body. CUT 3 — a single soldier's face fills the frame, eyes locked upward, jaw clenched, dust and sweat on his skin, recoil shaking his shoulders. CUT 4 — a massive leg spears down at 70 km/h, punching into the sand right beside the camera, a soldier diving clear as a wall of sand and debris bursts upward. CUT 5 — the creature's fanged head lowers into frame, mandibles flexing, a deep guttural shriek, dust streaming off its chitin against the white sky. CUT 6 — the camera pulls high and wide, the line of soldiers scattering and falling back, the creature striding forward through the broken formation, dust rolling across the whole desert. PHYSICS The creature reads as immense — each leg-strike cracks the ground and throws sand on gravity arcs. Soldiers move with real weight, diving and rolling. Gunfire kicks casings and recoil. Dust hangs and layers, density building from 30% to 60% across the cuts. LIGHTING Hard sun blown out behind the dust, creature in heavy backlit silhouette with bright rim, soldiers lit by hot sand bounce, muzzle-flash and tracers the only saturated warm punch; WB 5600K held across all cuts. AUDIO Sustained automatic gunfire and shouted orders throughout, a deep guttural shriek on CUT 5, heavy sand-burst impacts on CUT 4, engines and panic rising into the wide on CUT 6. POSITIVE LOCKS Creature stays a colossal backlit spider with long thin spindly legs and a fanged segmented head in every cut. Pale dust-hazed desert with blown-out white sky identical throughout. Soldiers stay in olive-and-tan US military gear. Muzzle-flash and tracers stay the only saturated color. Scale stays colossal — the creature towers as tall as eight humans stacked.
Arctic Ice Racer
A dangerous motorcycle ice racer with frost-covered black racing gear, mirrored helmet visor, and glowing bike headlights cutting through snowstorms. Frozen arctic industrial wasteland during blue-hour twilight. Ice roads, abandoned oil rigs, frozen bridges, collapsing tunnels, snow-covered shipping containers, and blizzard visibility conditions. Dark cinematic techno with deep sub-bass pulses. Ice friction, engine roar, chain vibrations, snow impacts, and freezing wind dominate the soundscape. Ultra-realistic motorsport cinematography mixed with survival thriller aesthetics and premium winter advertising. SHOT 1: Ultra-low front tire tracking shot carving through thick ice dust at dangerous speed. SHOT 2: Whip pan into a near-crash drift around frozen industrial wreckage. SHOT 3: Wide aerial shot showing the motorcycle racing across gigantic frozen ocean surfaces between abandoned structures. SHOT 4: Long-lens jump shot over shattered ice sections while snow explodes behind the bike. SHOT 5: Circular side tracking shot during a prolonged sideways drift inches from a cliff edge. SHOT 6: Final impossible jump through a collapsing frozen tunnel during whiteout conditions. The rider lands violently, fishtails across black ice, then slowly stops beneath flickering industrial lights while snowstorm winds consume the frame. Music cuts instantly.
Istanbul with Me
Style: Cinematic luxury travel vlog, energetic high-vibe editing, handheld camera feel, natural sunlight, warm golden-hour tones, ultra-beautiful playful sensual Japanese girl, realistic travel influencer aesthetic, dynamic transitions, fast pacing, no slow motion, natural candid movement, shallow depth of field, authentic Istanbul atmosphere, high-end lifestyle commercial look. Audio: Start with soft ASMR whisper in Japanese very close to microphone: "Istanbul... Want to go there with me?" Immediately after the whisper, energetic indie rock song starts with strong drums and electric guitar. Ambient sounds of Istanbul underneath music: seagulls, distant mosque echoes, street chatter, Bosphorus water. Character consistency: Extremely beautiful Japanese girl with long black messy hair, soft natural makeup, playful sensual smile. Consistent outfit throughout all scenes: white semi-transparent oversized linen shirt worn open, white lace camisole underneath, light beige shorts, minimal gold necklace, natural beachy hairstyle flowing in the wind. [00:00-00:02] HOOK CLOSE-UP. Extreme close-up selfie angle. The girl turns toward camera smiling softly while whispering in Japanese directly into microphone. Wind blows through her hair. Hagia Sophia blurred in background during golden hour. Fast handheld movement. [00:02-00:04] Fast walking tracking shot through Sultanahmet Square. She grabs the camera and spins playfully while laughing. Crowds move around her naturally. Rock music immediately kicks in hard. [00:04-00:06] Quick cinematic cut to Blue Mosque courtyard. Low-angle orbit shot while she looks upward at the domes, sunlight illuminating her face and white linen shirt flowing in wind. [00:06-00:08] Rooftop shot near Galata Tower during sunset. She leans on railing looking back at camera with playful smile. Hair blowing dramatically. Warm orange sky over Istanbul skyline. [00:08-00:10] Fast-cut Bosphorus ferry sequence. Dynamic handheld camera beside her as she stands near railing laughing into the wind. Ocean splashes and sunlight reflections everywhere. [00:10-00:12] Street vlog sequence in narrow Istanbul alleyways. She walks confidently toward camera while fixing her oversized white shirt. Fast energetic transitions between angles. [00:12-00:14] Cafe scene. Close-up of her holding Turkish coffee toward camera teasingly. Quick smile, eye contact, playful expression. Background bustling with warm nightlife energy. [00:14-00:15] Final golden-hour Bosphorus shot. She turns back toward camera smiling while sunlight silhouettes her hair. Camera quickly pulls away revealing glowing Istanbul skyline at sunset. Negative prompts: no slow motion, no outfit changes, no extra limbs, no blurry face, no cartoon style, no unrealistic anatomy, no duplicated people, no low-quality rendering, no stiff movement.
Pronto a creare la tua clip con Seedance 2.5?
Dove Seedance 2.5 dà il meglio
Video brevi generati da Seedance 2.5, renderizzati alla velocità con cui iteri.
Una frase diventa un’inquadratura
Scrivi un prompt, scegli il formato e Seedance 2.5 ti restituisce una clip finita: movimento, camera e luce già messi in scena. Perfetto per hook, pubblicità e video brevi per i social da iterare in minuti, non in pomeriggi interi.
Parti da una singola immagine
Parti da una foto per fissare soggetto, inquadratura o direzione artistica prima che inizi il movimento. Seedance 2.5 trasforma l’immagine in un filmato con camera realistica che mantiene intatta la fonte.
Leggero nel prezzo, non nella qualità
Seedance 2.5 è il futuro livello economico: le indiscrezioni lo collocano sotto Seedance 2.0 Fast nel prezzo, ma sopra Fast nella qualità. Finché non esce, Fast è qui la scelta budget — e Mini sarà attivo il giorno stesso del rilascio da parte di ByteDance.
Limiti visibili fin da subito
Seedance 2.5 genera video a 480p, 720p e 1080p fino a quindici secondi per clip. I limiti sono mostrati direttamente nel generatore, così puoi calibrare il prompt prima di spendere crediti.
Cosa offre Seedance 2.5 oggi
Niente livelli nascosti, niente asterischi: questo è esattamente ciò che Seedance 2.5 renderizza adesso.
Da testo a video
Genera una clip breve direttamente da un prompt con Seedance 2.5.
Da immagine a video
Parti da un’immagine di riferimento e lascia che Seedance 2.5 la animi da lì.
Tre risoluzioni
Seedance 2.5 renderizza a 480p per le bozze, 720p e 1080p per le versioni finali.
Tre durate di clip
Cinque, dieci o quindici secondi per generazione: Seedance 2.5 è fatto per i video brevi.
Quattro proporzioni
Orizzontale 16:9, verticale 9:16, quadrato 1:1 e classico 4:3.
Esportazione MP4
I render finiti di Seedance 2.5 si scaricano in MP4, pronti da pubblicare ovunque.
Fatto per i video che pubblichi davvero
Lanci, pubblicità, explainer, promo: Seedance 2.5 trasforma il brief in video brevi mentre il budget quasi non se ne accorge.
Teaser di lancio
Trasforma una funzionalità in una breve storia visiva. Seedance 2.5 renderizza hero shot e clip di lancio che convertono.
Test di hook pubblicitari
Genera più hook in poco tempo con Seedance 2.5, poi rifinisci i vincitori. Fai A/B test di varianti al prezzo di un caffè.
Walkthrough di prodotto
Mostra flussi prima-e-dopo in sequenze multi-inquadratura che gli spettatori ricordano davvero.
Un look coerente
Mantieni stile e inquadrature coerenti tra i post con prompt ripetibili e immagini di riferimento in Seedance 2.5.
Clip stagionali per il negozio
Clip di prodotto stagionali senza nuovi shooting: cambia il prompt, mantieni lo stile.
Storie in stile UGC
Clip narrative veloci che sembrano fatte da persone vere. Crea bozze, itera e pubblica alla velocità dei creator con Seedance 2.5.
Prezzi formato Mini, qualità Seedance
Ogni piano corrisponde a ciò che Seedance 2.5 renderizza: lo stesso linguaggio dei prompt di Seedance 2.0, a una frazione del prezzo.
Basic
$24/mese
Fatturato annualmente a $288
900 crediti / mese
≈45 clip Seedance 2.5 (5s 480p) ogni mese
- Output video 4K nativo
- Clip da 30 secondi in una sola ripresa, senza montaggio
- Fino a 50 input di riferimento
- Audio generato con ogni clip
- Da testo e immagine a video
- Tutti i migliori modelli AI in un unico posto
- Generazione di immagini AI inclusa
- Licenza commerciale · senza filigrana
- Velocità di generazione rapida
- Crediti mensili validi per 30 giorni
Pro
$64/mese
Fatturato annualmente a $768
2,800 crediti / mese
≈140 clip Seedance 2.5 (5s 480p) ogni mese
- Output video 4K nativo
- Clip da 30 secondi in una sola ripresa, senza montaggio
- Fino a 50 input di riferimento
- Audio generato con ogni clip
- Da testo e immagine a video
- Tutti i migliori modelli AI in un unico posto
- Generazione di immagini AI inclusa
- Licenza commerciale · senza filigrana
- Velocità di generazione prioritaria
- Crediti mensili validi per 30 giorni
Max
$160/mese
Fatturato annualmente a $1,920
8,000 crediti / mese
≈400 clip Seedance 2.5 (5s 480p) · $0.02 per credito
- Output video 4K nativo
- Clip da 30 secondi in una sola ripresa, senza montaggio
- Fino a 50 input di riferimento
- Audio generato con ogni clip
- Da testo e immagine a video
- Tutti i migliori modelli AI in un unico posto
- Generazione di immagini AI inclusa
- Licenza commerciale · senza filigrana
- Velocità di generazione massima + supporto prioritario
- Crediti mensili validi per 30 giorni
Ti servono solo pochi video?
Compra crediti Seedance 2.5 per generazioni una tantum, senza abbonamento — i pacchetti restano validi per 45 giorni
160 crediti
Circa 8 clip da cinque secondi a 480p
800 crediti
Circa 40 clip da cinque secondi a 480p
1,800 crediti
Circa 90 clip da cinque secondi a 480p
3,200 crediti
Circa 160 clip da cinque secondi a 480p
Come si posiziona Seedance 2.5
Dove si dice che arriverà il futuro Seedance 2.5, accanto a ciò che gira qui oggi e a Gemini Omni di Google — usando solo informazioni pubblicate.
| Funzionalità | Seedance 2.5 (in arrivo) | Seedance 2.0 (attivo qui) | Gemini Omni |
|---|---|---|---|
| Durata massima delle clip | 30s (una ripresa) | 4–15s | 3–10s |
| Risoluzione massima | 4K nativo | Fino a 4K | 720p |
| Input di riferimento | Fino a 50 | Fino a 12 | Fino a 7 immagini + 3 clip |
| Da testo e immagine a video | Sì | Sì | Sì |
| Audio + video insieme | Sì | Sì | Sì |
| Esportazione senza filigrana | Sì | Sì | Filigrana SynthID incorporata |
Domande frequenti
I creator stanno passando a Mini
Unisciti ai creator che pubblicano video brevi più in fretta con Seedance 2.5.
”Prima dovevamo dare il brief a un’agenzia per ogni teaser di prodotto e aspettare due settimane per la prima versione. Ora scrivo la shot list come prompt, la faccio girare in Seedance 2.5 durante il caffè e porto tre opzioni alla riunione del lunedì. Non ogni render è utilizzabile — forse uno su tre va rifatto — ma il ciclo è passato da settimane a ore.”
Sarah ChenDirettrice marketing, brand skincare DTC”La modalità Da immagine a video di Seedance 2.5 è quella che mi ha convinto. Blocco il primo fotogramma con un frame della mia color grade e il movimento resta dentro il mio look. Non lo userei ancora per i segmenti parlati in camera, ma per B-roll e transizioni ha sostituito del tutto i miei abbonamenti stock.”
Michael RodriguezCreator YouTube, 120K iscritti”I nostri explainer avevano bisogno di B-roll che non avremmo mai potuto permetterci di girare, e i siti di stock ci davano filmati generici che non c’entravano nulla. Con Seedance 2.5 generiamo esattamente la scena descritta dal copione: stessa cucina, stessa luce, lezione dopo lezione. Gli studenti hanno notato la coerenza prima ancora che la menzionassimo.”
Emily WatsonCreatrice di corsi online”Cinque versioni di un hook prima di pranzo sembra uno slogan di marketing finché non lo fai davvero. Il mese scorso abbiamo testato in A/B quattordici aperture per una sola campagna in Seedance 2.5, e la vincente è uscita da un prompt che quasi non lanciavamo. Girare quell’esperimento sarebbe costato più dell’intero budget media.”
David KimDirettore creativo, studio pubblicitario indie”Le promo stagionali significavano farsi prestare la fotocamera di mio fratello e perdere una domenica. Ora carico una foto del prodotto, descrivo la scena e Seedance 2.5 mi restituisce una clip da pubblicare la sera stessa. Il video della collezione autunnale ha richiesto venti minuti, tentativi inclusi.”
Ana SousaTitolare di un negozio di ceramiche su Etsy”Faccio visualizer lo-fi per le mie uscite, e la coerenza tra le inquadrature è tutto. I vecchi strumenti mi davano frame bellissimi che non appartenevano allo stesso mondo. Con Seedance 2.5, un loop che con un animatore richiedeva una settimana esce insieme alla traccia il giorno della release.”
James ParkProduttore musicaleInizia a creare con Seedance 2.5.
Scrivi una scena, scegli un formato e guarda Seedance 2.5 trasformarla in film: le tue prime clip sono a pochi minuti di distanza.